Published by Hogarth on October 11th 2016
When Felix is deposed as artistic director of the Makeshiweg Theatre Festival by his devious assistant and longtime enemy, his production of The Tempest is canceled and he is heartbroken. Reduced to a life of exile in rural southern Ontario—accompanied only by his fantasy daughter, Miranda, who died twelve years ago—Felix devises a plan for retribution.
Eventually he takes a job teaching Literacy Through Theatre to the prisoners at the nearby Burgess Correctional Institution, and is making a modest success of it when an auspicious star places his enemies within his reach. With the help of their own interpretations, digital effects, and the talents of a professional actress and choreographer, the Burgess Correctional Players prepare to video their Tempest. Not surprisingly, they view Caliban as the character with whom they have the most in common. However, Felix has another twist in mind, and his enemies are about to find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever. But how will Felix deal with his invisible Miranda’s decision to take a part in the play?
In order to review as many books as possible without stressing myself out, these super mini- tweet style reviews are going to help balance my usual review style. I love reviewing books, but sometimes writing a long review is daunting, and then I end up not reviewing the many, many books I’ve read. All my Short and Tweet reviews will be 140 characters or less (except when they are a bit longer). Thanks to Tif from Tif Talks Books for the idea!
I really, really enjoyed this modern take on The Tempest- the audio was fun, the characters were vibrant, and the ending made me sad to leave the world Atwood had created. I really wish I could get my hands on the previous Burgess Correctional Institution’s performances.
*Part of my A Book A Day Challenge
Feel free to write your own Short and Tweet Reviews, just add your link in the comments below!